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scruffian

a scruffy ruffian

  • November 6th, 2025

    Relics

    This album sounds like it was discovered at the back of a dusty attic. I have been carrying these songs around for many years (19 in one case). They had been slowly rusting on my hard drive until I met Ross Viviano in 2022 and he offered to mix them for me. I told him they were just a mess and not really good enough, but he took them on anyway, and has pieced them together to a point where the are (in my opinion) worth listening to. Amazingly he’s still managed to keep the corrosive and dusty vibes.

    Ross also played drums on all of the songs that have real drums, which makes so much difference.

    The cover was taken in a derelict house that we almost bought but then didn’t.

    You can stream it in all the usual places, or download it for free from Bandcamp.

    Curing

    This song began summer 2021. We were still somewhat isolated because of Covid, but it was a beautiful summer day so the family spent most of the afternoon in the paddling pool. Usually I would take the opportunity to do lots of jobs in the garden at times like this but intead I just took the guitar and amp into the garden and started recording whatever came to me. The vocals came later, pieced together from haiku from around the same time.
    Fortuntately I got a picture!

    Bramblers

    Bramblers began in summer 2017, while on holiday in the Forest of Dean. We were staying in a yurt which was pitched in some lovely grounds, and this riff developed while walking round the grounds. The words came a few years later while going on lots of long walks with my infant son.

    Woodfire

    In August 2018 we went to Woodfire camping. I was up at 6am every morning with my infant son and we got a good 2 or 3 hour walk in every day before the rest of the family woke up. We explored the South Downs quite extensivley particularly the barrows on gallows hill. This is a love song to camping!

    Can I Get Over This?

    One evening in August 2020, again on a camping holiday, as we were getting ready for bed, the sun came out low and threw these long golden shadows across the campsite. We played frisbee much later than we should have and made memories that will last until we die.

    Wild Swimming

    In around 2016 I finally forced myself to learn Nightswimming on the piano. Its one of my favorite songs and I can connect with it even more closely when I’m playing it myself. I played it every day until I was breathing it. This song is really just a development of that one. It’s about as close as you can get to being a cover without actually being a cover! The electric piano is inspired by Beth/Rest by Bon Iver.

    Loon

    When I discovered that White Sky by Vampire Weekend is a rip-off of Crazy Love Vol II by Paul Simon, I gave myself permission to steal their bass line! I played around with it in different forms for many years and could never get it right, until I had a day to myself in Mexico waiting for my flight. I wandered around the beach looking at the graffiti and finally wrote some melody and words.

    Up In The Misty Mountains

    Another camping holiday, another song! This was in the lake district. I was trying to capture the sound of the mist rolling through the mountains. The organ part was recorded on an old harmonium – you can hear the pedals creaking and the bellows pumping. At this time I was trying to connect music to nature, and I was failing to find any coherent rhythmn in nature, so this was really my attempt to create music without coherent rhythmn.

    Migration

    This is the oldest song on the album. It was originally inspired by Atoms For Peace by Thom Yorke. I first played it on a piano when we lived in Kent and for a long time I didn’t know what it was about except for the line “we are not far from home”. Then one day on a late evening walk we saw a lot of these birds migrating south and it kind of clicked into place:

    Time

    I had a 3 month sabbatical in 2019. During that time I only wrote one song, this one. Somehow although I had no job to do, I still ended up with not a lot of time for music. My son was only 2 at the time and we spent the mornings together and I tried to go slowly and just enjoy being with him before he went off to school. One thing this experience also taught me is that unless you prioritise creative things they always get pushed to the bottom of list, which is what made me start writing a song a day.

    Back To Our Phones

    Before Covid my employer would gather all its employees from across the world into one hotel for a week, to work and live together and build stronger connections. The end of this week was always tough – having reformed strong connections with old friends we had to leave each other for another year and go back to our normal lives again. I wrote this song on the last day of the “meetup”, while most of my colleages travelled home.

    Thanks

    Thanks to everyone who helped make the memories and inspiration that have gone into this; the many camping holidays and long walks, the children growing older

    Thanks also to all the musicians I have throughly ripped off. I put together a playlist of the “inspiration” for each song so you can see how similar some of them are!

    Finally a huge thanks to Ross Viviano for all his work on the drums, mixing and producing this shambles into something listenable.

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  • October 11th, 2025

    September 2025

    Music

    Books

    Boy – Roald Dahl

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  • October 11th, 2025

    August 2025

    Music

    Books

    The Life Impossible – Matt Haig

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  • August 6th, 2025

    July 2025

    Books

    The Storyteller – Dave Grohl
    Crosstown Traffic – Charles Shaar Murray
    Dissolution – C.J. Sansom

    Screen

    Breeders

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  • August 6th, 2025

    June 2025

    Music

    Books

    The Story of The Streets – Mike Skinner
    Marble Hall Murders – Anthony Horowitz

    Screen

    Tribe with Bruce Parry
    Traitors NZ

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  • August 4th, 2025

    May 2025

    Music

    Books

    Is A River Alive – Robert MacFarlane
    Flow by Mihály Csíkszentmihályi
    Eighteen – Alice Loxton
    The Great North Road – Steve Silk

    Screen

    Black Mirror Season 7
    Detectorists (again)

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  • May 10th, 2025

    April 2025

    Music

    Books

    • The Great Train Robber – Ronnie Biggs
    • The Hard Thing About Hard Things – Ben Horowitz
    • Good Strategy Bad Strategy – Richard P. Rumelt
    • The Great North Road – Steve Silk
    • Little Town On The Prairie – Laura Ingalls Wilder

    Screen

    • Back
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  • May 10th, 2025

    March 2025

    Music

    Books

    • The Hidden Life of Trees – Peter Wohlleben
    • Raising Hare – Chloe Dalton

    Screen

    In The Heart Of The Sea

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  • May 10th, 2025

    February 2025

    Music

    Books

    • Deep Work – Cal Newport
    • White Teeth – Zadie Smith
    • The Heart In Winter – Kevin Barry
    • Swimming To Lundy – Amanda Prowse
    • The Long Winter – Laura Ingalls WIlder

    Screen

    • Operation Mincemeat
    • Lee
    • Amandaland
    • Am I Being Unreasonable
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  • March 4th, 2025

    Ten Years Of Haiku

    Ten years ago today I began writing a haiku every day. My first is still one of my favorites, today’s is number 3564.

    The first few haiku were the hardest ones to write – having ideas is hard. There’s also a fear of failure – a sense that whatever you make won’t live up to your own expectation. In my experience this is always true – I have never made something that turned out as I wanted it to be.

    Yet the experience of creating something and sharing it helps you become accustomed to failure and changes your expectations around the things you make. It forces you to confront the reality that your ability to create is always lagging behind your critical faculties.

    This chasm between your ability and your taste makes it hard to keep going. There have been many occasions when the last thing I wanted to do was to write a haiku. Feelings of inadequacy, apathety and despondancy diminish the creative spirit. Ironically, the thing that keeps me going at these times is also a fear of failure – if I miss a day then I have also failed!

    The gap between the intention of the work and the work itself is an important aspect of creative work. What we make is never what we intended to make, but that doesn’t mean it has no value – its just different to what we expected. The skill is in recognising the value of the work itself rather than focussing on how it falls short of the intention.

    This project has given me the assurance to keep pressing on with the work – not because of those few who read it or because I am working towards some higher goal (like having a book published), but for what I gain from doing it.

    All this begs the question “why bother?”. For me, when I create something it enables me to express something of myself in a way that even I wasn’t fully aware of before . Poetry is a mirror for the soul. It is a means to see myself as I am, not as a I wish to be.

    I’ve recently started writing a song every day…


    Incidently today is another anniversary for me – I’ve been working for Automattic for 12 years.

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